Sudpsuez The Cottage in Interwar England
$60.00
Description
Words by George Entwistle
The 20 years between First and Second World Wars were a time of dramatic development for English people and their homes. By the end of the 1930s, one family in three was living in an interwar house. But one thing that did not change was the sentimental affection of the English for the idea of the cottage picturesque – a problematic continuity, with class and cultural dimensions, that inflected English domestic architecture long after the theorisation of the Picturesque in the 1790s.
This book explores the powerful hold on the national imagination of cottage architecture in the interwar period and its hitherto under-examined influence on the politics and aesthetics of class, council housing, conservation, and on the 1920s and 1930s boom in speculative house-building. The book examines the relationships between working-class council houses specifically steered away from looking like the cottage picturesque; traditional cottages appropriated by middle-class weekenders, adopted by conservationists, and mythologised by politicians in the 1920s; new-build speculative housing that the public bought (in the 1920s and 1930s) and architects deprecated because it was designed to evoke the cottage; and early modernist houses, celebrated by architects but treated with suspicion by the public because their aesthetics were at odds with the Picturesque tradition.
Published by Lund Humphries
Related Products
Sudpsuez Borrowed Landscapes: China and Japan in the Historic Houses and Gardens of Britain and Ireland Emile de Bruijn
Words by Wydanie: Angielski
A beautifully illustrated exploration of the impact of Chinese and Japanese material culture on the historic houses and gardens of Britain and Ireland.
The art and ornament of China and Japan have had a deep impact in the British Isles. From the seventeenth century onwards, the design and decoration of interiors and gardens in Britain and Ireland was profoundly influenced by the importation of Chinese and Japanese luxury goods, while domestic designers and artisans created their own fanciful interpretations of 'oriental' art. Those hybrid styles and tastes have traditionally been known as chinoiserie and japonisme, but they can also be seen as elements of the wider and still very relevant phenomenon of orientalism, or the way the West sees the East.
Illustrated with a wealth of new photography and published in association with the National Trust, Borrowed Landscapes is an engaging survey of orientalism in the Trust's historic houses and gardens across England, Wales and Northern Ireland. Drawing on new research, Emile de Bruijn demonstrates how elements of Chinese and Japanese culture were simultaneously desired and misunderstood, dismembered and treasured, idealised and caricatured.
Published by Philip Wilson Publishers
Sudpsuez Fringe, Frog and Tassel: The Art of the Trimmings-Maker in Interior Decoration Annabel Westman
Words by Annabel Westman
Trimmings are often overlooked as mere details of a furnished interior. However, in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
This book, the first of its kind, traces their history in Britain and Ireland from 1320 to 1970, examining the design and usage of tassels, fringe, braid (woven lace), gimp and cord and their dependence on French fashion. The substantial text links surviving items in historic houses and museums to written evidence, paintings, drawings and other primary sources to provide a firm framework for dating pieces of less-certain provenance. The importance of the 'laceman', the maker of these trimmings, is also examined within an economic and social context, together with the relationship to the upholsterer and interior decorator in the creation of a fashionable room.
Published by Bloomsbury Publishing
Sudpsuez Inside Florence, A Tale of Palazzi and Botteghe
Words by Livia Frescobaldi
Photographs by Alessandro Moggi, Eugenia Maffei
The home “is the place of return,” it is where “memory is”. I agree fully with Emanuele Coccia in his consideration that the setting of our private lives, the one that is most intimate and most familiar to us, is an expression of culture like a work of art or a monument of which we study the origins, the provenance and the material, craving to know and understand everything. -Livia Frescobaldi
Inside Florence, published by Marsilio Arte, offers an original account of Florence stemming from a love for the preservation of its places and the desire to offer an intimate and fresh look at the beauty and age-old skills of the city’s artisan workshops, which make the Tuscan capital one of the most admired cities in the world.
The splendid views, the meticulous details of the furnishings, the framing of the images, the care and attention in narrating and describing the opulence and refinement of the Florentine residences, are just some of the elements that author Livia Frescobaldi has selected to trace out an itinerary revealing her favourite places.
Through the photography of Alessandro Moggi and Eugenia Maffei, the book appears almost like a fresco with infinite scenarios, the protagonists of which are the heirs of a thousand-year-old history, in a difficult balance between modernity and tradition. There are sixteen sections for sixteen residences – ranging from palaces and gardens to former monasteries – each linked to a specific form of craftsmanship: the first pairing described is that between Palazzo Frescobaldi and the Antico Setificio Fiorentino, with a union rendered indissoluble by the customised Frescobaldi fabric, which has been in production since time immemorial. Inside Florence does not merely hold up a mirror to Florence’s architectural and artistic wealth, but is also an act of love towards those professional artisans who, as Leonardo Ferragamo states in his introductory text, ‘continue to create the history of the future with their ingenious, persevering and dedicated passion’.
Enriched and enhanced by the introductions of Eugenio Giani, President of the Region of Tuscany, and Bernabò Bocca, President of the Fondazione CR Firenze, the books stresses the uniqueness and historic nature of the city of Florence, that jealously guards its art professions and artisan workshops, its well-known palaces and more hidden ones, its gardens and spaces dedicated to contemporary times. The itinerary proposed in its pages has been planned for those who want to live Florence, rather than just visit it.
Published by Marsilio Arte
Sudpsuez The Art of Tapestry
Words by Helen Wyld
Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales – the largest collection in the UK.
This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the 'revival' of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust's collection, this book offers a fresh perspective on the history of tapestry across Europe.
Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.
Published by Bloomsbury Publishing
Sudpsuez The Gourmand’s Lemon. A Collection of Stories and Recipes
Words by David Lane and Marina Tweed
The deceptively simple lemon takes center stage in the second volume of TASCHEN’s collaboration with The Gourmand, masters of the rich intersection of food and art. The star of Renaissance gardens, that shaped the Medici dynasty, have the power to ward off scurvy, had a hand in forming the mob, and whose juice has been used as an invisible ink since 600 CE to pen covert messages, these joyful yellow orbs are ripe with intrigue. The Gourmand charts the fruit’s astonishingly intricate genealogy, explores its role as a literary device for the likes of Joan Didion, F. Scott Fitzgerald, Tom Wolfe, and James Joyce, and examines its unique representation of the American dream through lemonade stands.
A favorite subject of art history’s giants, the lemon captivates in the still lifes of Old Masters and inspired the breakthroughs of modern visionaries like Picasso, Matisse, and Warhol. Lemons also find themselves at the cutting edge of design in Philippe Starck’s iconic Juicy Salif and the unassuming yet revolutionary Jif Lemon. Their presence extends to the decorative arts, gracing everything from Arts and Crafts wallpapers to mythological ceramics. Even the famed Bloomsbury Group found lemons entangled in their literary love affairs.
Accompanying these citrus-centric anecdotes are a foreword by chef and acclaimed food writer Simon Hopkinson and an introduction by art critic and author Jennifer Higgie alongside more than 60 lemon-infused recipes across global cuisines and for every occasion—including perfect poultry, decadent sauces, classic cocktails, and indulgent desserts, with custom photography by Bobby Doherty.
Published by Taschen