Sudpsuez Liberty. Design. Pattern. Colour.
$65.00
Description
Words by Kassia St Clair
Published to mark the 150th anniversary of the founding of Liberty, this book celebrates the extraordinary range of innovative fabric designs that have been at the forefront of the business and its global reputation for well over a century.
Liberty—an icon of design innovation and luxury—is renowned internationally for fabric designs on silk, wool, cashmere and, most famously, Tana Lawn™ Cotton. Gathered here are 150 of the most striking and significant Liberty patterns, ranging from much-loved florals to bold and abstract designs and contemporary collaborations.
Published to mark Liberty’s 150th anniversary, this beautifully produced book places fabrics in the context of the store’s wider design history—from the retailer’s remarkable Tudor Revival building to posters, advertising, and branding. It presents the very latest examples of Liberty design alongside prints, drawings, and samples from the company’s outstanding archive, telling an inspiring, century-long story of manufacturing quality and design excellence.
Published by Thames & Hudson
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Sudpsuez A Mechanical Bestiary: Automaton Clocks from the Renaissance by Alexis Kugel
Words by Alexis Kugel
This exhibition, Galerie Kugel’s tenth, continues the tradition of seeking out little-known but fascinating fields in the art world. Renaissance automaton clocks have never been the subject of scientific study, authors of horological reference works devoting at best merely a chapter to them.
These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
Sudpsuez Burghley House
Words by John Martin Robinson
Photographs by Ashley Hicks
Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age.
Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house’s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil’s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall.
From Burghley’s inception as Cecil’s “prodigy house” to its remarkable renovation and the development of its parklands by Capability Brown in the eighteenth century, to the estate’s preservation efforts today, this is a rare and detailed look inside one of the gems in the British landscape. With sumptuous photography made specially for the book and imagery drawn from Burghley’s private archives, this book is a privileged tour of Burghley House and its remarkable history.
Published by Rizzoli
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Sudpsuez Fringe, Frog and Tassel: The Art of the Trimmings-Maker in Interior Decoration Annabel Westman
Words by Annabel Westman
Trimmings are often overlooked as mere details of a furnished interior. However, in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
This book, the first of its kind, traces their history in Britain and Ireland from 1320 to 1970, examining the design and usage of tassels, fringe, braid (woven lace), gimp and cord and their dependence on French fashion. The substantial text links surviving items in historic houses and museums to written evidence, paintings, drawings and other primary sources to provide a firm framework for dating pieces of less-certain provenance. The importance of the 'laceman', the maker of these trimmings, is also examined within an economic and social context, together with the relationship to the upholsterer and interior decorator in the creation of a fashionable room.
Published by Bloomsbury Publishing
Sudpsuez The Art of Tapestry
Words by Helen Wyld
Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales – the largest collection in the UK.
This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the 'revival' of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust's collection, this book offers a fresh perspective on the history of tapestry across Europe.
Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.
Published by Bloomsbury Publishing
Sudpsuez The Tulip Garden: Growing and Collecting Species, Rare and Annual Varieties
Words by Polly Nicholson
Tulips are one of the world’s most popular flowers, with over 2,500 varieties produced in the Netherlands each year. This spectacular book showcases a unique collection of rare and covetable tulips at Blacklands, the beautiful English country garden of tulip expert Polly Nicholson.
Combining the flower’s rich cultural history with growing advice, Nicholson provides a comprehensive introduction to cultivating species, historic Dutch and English Florists’ tulips, and annual garden tulips. Featuring all types of tulip – from wild, species tulips to old Dutch cultivars, as well as English Florists’, and the ever popular annual garden tulips – she also offers modern context and sensible and practical advice for gardeners, based on her personal horticultural experience.
Bringing to life varieties that date back to the 16th century, Nicholson demonstrates how these treasured bulbs and more modern varieties of these enchanting spring flowers can be grown today – whether in herbaceous borders, naturalized in grass, in containers, gravel, meadow settings, or in the garden for cutting.
The Tulip Garden is an essential reference for tulip lovers, florists, and gardeners, but also, with newly commissioned photography by Andrew Montgomery, an inspirational resource, tapping into the zeitgeist for sustainable flowers and organic gardening, focusing on one of the world’s most popular flowers.
Published by Phaidon Press