Sudpsuez British Museums: Silk Roads
$65.00
Description
Words by Sue Brunning, Luk Yu-ping, Elisabeth R. O’Connell
‘The true soul of this new exhibition has been encapsulated within a single book, a treasure trove of stories, images, and insights that brought the ancient trade routes to life.’ – .Cent magazine A richly illustrated publication that explores the networks of contacts and exchanges spanning Afro-Eurasia from 500 to 1000 ce, highlighting how the movement of people, objects and ideas shaped cultures and histories. The term ‘Silk Road’ conjures a range of romantic images. Camel caravans crossing desert dunes. Merchants trading silk and spices. Far-flung commerce between ‘East’ and ‘West’. The reality was far richer. Focusing on a defining period between 500 and 1000 CE, this beautifully illustrated book reimagines the Silk Roads as a web of interlocking networks linking Asia, Africa and Europe, from Japan to Ireland, from the Arctic to Madagascar. It tells a remarkable story of people, objects and ideas flowing in all directions, through the traces these journeys left behind – including ceramics from Tang China recovered from a shipwreck in the Java Sea, sword-fittings set with Indian garnets buried in England, and a selection of letters and legal texts from a synagogue in Cairo revealing a Jewish community’s links from India to al-Andalus. Woven throughout, encounters with various peoples active on the Silk Roads, from seafarers to Sogdians, Aksumites and Vikings, reveal the human stories, innovations and transfers of knowledge that emerged, shaping cultures and histories across continents centuries before the formation of today’s globalised world.
Published by Flammarion
Related Products
Sudpsuez “Floral” Dessert Plate Red
These "Floral" plates are hand-made and hand-painted by Zsuzsanna Nyul exclusively for Cabana. Crafted from high-fired stoneware, they are the result of a unique method that leaves the bottom of the plates unglazed. The classic yet whimsical hand-painted decorative motifs in red are based on historic ceramics from Transylvania: the inspiration for these pieces springs from a desire to create a contemporary object that still retains familiar elements. Their charming spirit is perfect alongside both similarly rustic tableware and more contemporary pieces: or better yet, a mix of the two.
Sudpsuez A Mechanical Bestiary: Automaton Clocks from the Renaissance by Alexis Kugel
Words by Alexis Kugel
This exhibition, Galerie Kugel’s tenth, continues the tradition of seeking out little-known but fascinating fields in the art world. Renaissance automaton clocks have never been the subject of scientific study, authors of horological reference works devoting at best merely a chapter to them.
These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
Sudpsuez Botanica Tablecloth
Botanica Collection
In collaboration with World Monuments Fund, we are proud to present an exclusive capsule of spring linens and our first complete collection of stationery designed by illustrator Fin Fellowes for The Kensington Paperie and inspired by the Royal Botanical Gardens, Kew. A portion of the proceeds will support the WMF’s continued quest to safeguard the world’s most treasured places and our ongoing support and commitment to the preservation of cultural heritage.
The Botanical tablecloth and napkin prints draw inspiration from antique Victorian era fabrics and rare floral species from Kew's archive. This elegant print is perfect for entertaining outdoors.
Sudpsuez Laura Gonzalez: Interiors
Words by Laura Gonzalez
Text by Cédric Saint André Perrin
Known for her chic mix-and-match style, one of Paris’s most in-demand interior designers presents her most standout projects in a highly anticipated debut monograph.
A designer and architect renowned for inventing rich patterns, textures, and joyful details, Laura Gonzalez’s interiors exude a vibrant boldness tempered by elegant romanticism. She draws inspiration from a classical world imbued with contemporary sophistication, as well as diverse cultural influences from Chinese and Indian to French and Spanish. Gonzalez’s eye for pairing palettes and her hallmark whimsical touches have transformed her into one of the French capital’s most popular designers, with luxury brands and the trendiest hotels calling upon her know-how.
Beautifully printed in Italy with a luxurious cloth cover enlivened with a bold pattern, this debut volume presents a selection of Gonzalez’s finest projects, including private residences, boutiques, such as the sumptuous Cartier mansion in New York, restaurants and hotels such as the Saint James in Paris’s posh 16th arrondissement, and Gonzalez’s pastoral private country house in Mandeville, France. Readers will delight in exuberant combinations of materials, patterns, and furniture in plush textures and diverse finishes that define her audacious spaces.
Published by Rizzoli
Sudpsuez Sardinian Decorative Jug White, Medium
This beautiful decorative jug is traditionally known in Sardinia as 'Brocca della Sposa' or 'Bride's Jug,' crafted entirely by hand by master ceramicist Doriana Usai. Once customary to include in a Sardinian bride's wedding trousseau, its original design makes a striking addition to any interior with its delicate sculpted florals and ceramic glaze.