Sudpsuez Antique Boxes Inside and Out: for Eating, Drinking and Being Merry, Work, Play and the Boudoir
$90.00
Description
Words by Genevieve E. Cummins
Boxes are beguiling because they can have the double delight of an enticing exterior and the anticipation and satisfaction of a fully fitted interior. This comprehensive guide to the decoration, style, use and contents of all types of boxes from diverse cultures is the first book to cover both these aspects. The coverage of decoration and styles of boxes is remarkably complete and includes the traditional, the exotic and the eccentric. Folk art to Faberge, tea caddies to tinder boxes, medicine chests to music boxes, ditty to document, voting to vampire, painting, sewing and writing boxes are just some of the topics that are included. The result is a pictorial treat, the text lavishly illustrated with images of nearly 2,000 boxes. It is a most valuable reference book for the dealer and the collector alike.
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Sudpsuez A Mechanical Bestiary: Automaton Clocks from the Renaissance by Alexis Kugel
Words by Alexis Kugel
This exhibition, Galerie Kugel’s tenth, continues the tradition of seeking out little-known but fascinating fields in the art world. Renaissance automaton clocks have never been the subject of scientific study, authors of horological reference works devoting at best merely a chapter to them.
These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
Sudpsuez Laura Gonzalez: Interiors
Words by Laura Gonzalez
Text by Cédric Saint André Perrin
Known for her chic mix-and-match style, one of Paris’s most in-demand interior designers presents her most standout projects in a highly anticipated debut monograph.
A designer and architect renowned for inventing rich patterns, textures, and joyful details, Laura Gonzalez’s interiors exude a vibrant boldness tempered by elegant romanticism. She draws inspiration from a classical world imbued with contemporary sophistication, as well as diverse cultural influences from Chinese and Indian to French and Spanish. Gonzalez’s eye for pairing palettes and her hallmark whimsical touches have transformed her into one of the French capital’s most popular designers, with luxury brands and the trendiest hotels calling upon her know-how.
Beautifully printed in Italy with a luxurious cloth cover enlivened with a bold pattern, this debut volume presents a selection of Gonzalez’s finest projects, including private residences, boutiques, such as the sumptuous Cartier mansion in New York, restaurants and hotels such as the Saint James in Paris’s posh 16th arrondissement, and Gonzalez’s pastoral private country house in Mandeville, France. Readers will delight in exuberant combinations of materials, patterns, and furniture in plush textures and diverse finishes that define her audacious spaces.
Published by Rizzoli
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Sudpsuez Marmi Antichi
Edited by Gabriele Borghini
Marmi antichi is an essential reference work for restorers, art historians, and enthusiasts of classical materials. The book delves into the examination of raw stone and its processing, tracing a chronological arc from the Egyptians to the Romans. It continues by exploring medieval and modern practices of the "marmorari" (marble workers), including reuse, the Cosmati, and 17th-century specialized decorators. The volume concludes with a reasoned catalog of various marble types, providing valuable guidance for recognizing and assessing their aesthetic and structural characteristics.
Published by De Luca Editori
Sudpsuez The Art of Tapestry
Words by Helen Wyld
Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales – the largest collection in the UK.
This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the 'revival' of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust's collection, this book offers a fresh perspective on the history of tapestry across Europe.
Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.
Published by Bloomsbury Publishing