Sudpsuez Perfect English Small and Beautiful
$45.00
Description
Words by Ros Byam Shaw
Photography by Antony Crolla
Classic English style is comfortable, timeless, and informal. But it can also be seen as rather grand—most appropriate for rambling rectories, manor houses, and country house hotels. This book sets out to show that Perfect English style can be scaled down to work in a home of any age, size or shape. Ros Byam Shaw visits 12 pint-sized homes that are perfect examples of this ever-popular look, including a terraced townhouse in Ludlow, a gardener’s cottage in Kent, a tiny London flat, and a perfect Cotswolds country cottage. At a time when sustainability and environmental concerns are at the top of the agenda, Perfect English style prioritises reuse, recycling, and upcycling, and happily accommodates objects that are worn, faded, and mended. As the inviting, characterful, and compact homes that fill these pages demonstrate, Perfect English Small and Beautiful reveals how to downscale with perfect English panache.
Published by Ryland Peters & Small
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Sudpsuez A Mechanical Bestiary: Automaton Clocks from the Renaissance by Alexis Kugel
Words by Alexis Kugel
This exhibition, Galerie Kugel’s tenth, continues the tradition of seeking out little-known but fascinating fields in the art world. Renaissance automaton clocks have never been the subject of scientific study, authors of horological reference works devoting at best merely a chapter to them.
These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
Sudpsuez Francois Halard: Art and Flowers
Words by Francois Halard
The master photographer’s compelling images of his two most intimate passions: art and flowers.
“His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen,” writes Dries Van Noten in the foreword to this two-volume series of images.
Long revered for his personal photography of the world’s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature’s beauty. As beautifully described by fashion designer Dries Van Noten, “The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral.”
In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece—the tight crop of a marble head, or the folds of 15th-century drapery. “I am delving into the idea that antiquity can be modern,” Halard states in his interview with art curator Bice Curiger, “I like to start with a specific object to turn it into another, transitory object.” Halard’s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks—give power and beauty to these compelling images.
Published by Rizzoli
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Sudpsuez Marmi Antichi
Edited by Gabriele Borghini
Marmi antichi is an essential reference work for restorers, art historians, and enthusiasts of classical materials. The book delves into the examination of raw stone and its processing, tracing a chronological arc from the Egyptians to the Romans. It continues by exploring medieval and modern practices of the "marmorari" (marble workers), including reuse, the Cosmati, and 17th-century specialized decorators. The volume concludes with a reasoned catalog of various marble types, providing valuable guidance for recognizing and assessing their aesthetic and structural characteristics.
Published by De Luca Editori
Sudpsuez Textiles of China and Central Asia
Words by Mariachiara Gasparini, Jacqueline Simcox, Eiren Shea
A captivating journey through the rich tapestry of Asian history, this beautiful and informative book delves into the opulent world of historic textiles. Covering a period when decorative textiles were the ultimate luxury, it showcases the craftsmanship, cultural significance, and artistic expressions woven into each cloth.
It provides a comprehensive overview of the Silk Road and the exchange of ideas, goods, and techniques that fueled the flourishing textile industry across Asia over centuries, from the Byzantine Empire to the Tang and Song dynasties and beyond.
A series of engaging essays highlights the significant features of The Silk Road Textile Collection, exploring the samites of Central Asia with their luxurious silk and intricately woven animal and geometric patterns; studying the exquisite embroideries of the Liao dynasty up close; and examining the imperial textiles of the Ming and Qing dynasties, when power and prestige were expressed through sumptuous court costume.
Perfect for art lovers, historians, and all those captivated by the beauty of textiles, this impeccably packaged volume unravels the fascinating stories embedded in the fabric of ancient Asia.
Published by Prestel