Sudpsuez Inside Sicily
$75.00
Description
An ode to the ever-changing landscapes of the Mediterranean’s largest island, this book takes readers on a captivating journey from Sicily’s dazzling coastline and the Aeolian Islands to the volcanic foothills of the majestic Mount Etna. From the gilded and frescoed ceilings of aristocratic palazzos to the muted tones of sun-bleached rustic dwellings, the extraordinary homes seen here reveal the rich tapestry of design at the heart of Sicily’s enigmatic and captivating soul. Sicily, a cradle of architectural styles, reflects its Ancient Greek and Roman heritage, enriched by Byzantine and Arab influences and crowned with the opulence of Sicilian Baroque.
This cultural tapestry comes alive in the island’s grand palazzos, rural masserie (farmhouses), and lovingly restored villas, all brought to life in this exquisite volume. Step inside Casa Cuseni in Taormina, the historic home of English painter Robert Kitson, which once hosted luminaries such as Giacomo Balla and D.H. Lawrence, whose creativity is reflected in its remarkable décor. Visit the Aeolian retreat of visionary architect Ettore Sottsass, founder of the Memphis Group, and writer and design critic Barbara Radice.
Featuring stunning interiors photography by Guido Taroni and rich insights by author Christopher Garis, Inside Sicily celebrates the island’s unparalleled fusion of traditions.
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These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
Sudpsuez Burghley House
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Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age.
Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house’s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil’s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall.
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Inside Florence, published by Marsilio Arte, offers an original account of Florence stemming from a love for the preservation of its places and the desire to offer an intimate and fresh look at the beauty and age-old skills of the city’s artisan workshops, which make the Tuscan capital one of the most admired cities in the world.
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Sudpsuez Retrouvius: Contemporary Salvage: Designing Homes from a Philosophy of Re-Use
Words by Maria Speake
London-based design studio Retrouvius has carved a unique and important niche in the interior design and architecture spheres by blending architectural salvage with innovative design. Every project is a reinvention of the past and a promise made to our shared future.
In a world increasingly defined by the fleeting and the disposable, Retrouvius stands as a beacon of sustainability, creativity, and enduring beauty in interior design. Each space transformed by the studio is imbued with a history and a character uniquely its own, and a deep respect and sensitivity for original, historic designs and materials.
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